Жанр: Gothic Rock Страна-производитель диска: UK Год издания: 1990 Издатель (лейбл): Beggars Banquet Номер по каталогу: BEG 250 CD Страна: UK Продолжительность: 00:18:26 Треклист: 1. Sumerland (Dreamed version) 2. The Watchman (live) 3. Phobia (live)
Mississippi Gun Club "Shovelhead" (Full Album) 2016 Country: USA / Genres: Heavy/Stoner Rock
Tracklist:
01. Embracing The Monolith 00:00 02. Trapped! 02:22 03. The King 05:49 04. Mule 2016 10:34 05. A Few Years From Now 14:29 06. Brand New Pig 18:19 07. Half 23:11
1. Rock your Bottom 0:00 2. Breakout 3:52 3. Taste of Paradise 6:48 4. When the Raven flies again 10:13 5. Runnig hot 13:41 6. Fire at Sea 18:37 7. Take the most dangerous 22:44 8. Get ready 26:12 9. She's a Killer 29:22 10. Starlight 32:59
1. The Ghosts Of Charlie Barracuda - 0:00 2. Distance - 7:46 3. Storm Coming Down - 11:55 4. Root To Root - 22:12 5. Never Darken My Door - 32:00 6. Tired Old Dog - 38:34
I sold my soul to the devil. Seemingly coming from nowhere, Norwegian rockers The Devil and the Almighty Blues has hit the scene hard with the release of their debut album. The hype for this album was big. I'll get straight to the point and admit that it meets the expectations and then some. The Devil and the Almighty Blues is fantastic. It's doomy, it's bluesy, it's raw, and you can easily find yourself getting lost in it. There's no sense in fighting it, either. Just let it; you'll be glad you did. The album has a consistent theme with each track starting off slow and building steam throughout, reaching a climax as you find yourself doing the same. It's slow, it's heavy, and it's crafted well from start to finish. There's not a single bad track on this album.
The Devil and the Almighty Blues’ self-titled album was released in February 2015. It was recorded live in-studio. The sound quality reflects a raw transparency missing in much of today’s metal. What we hear on the album is what happened in the studio, something that the audiophiles out there will certainly appreciate. The guitars have a specific Southern twang to them which should please blues aficionados. Fuzzy and warm, the bass coats the guitars like a sweet candy shell. The drums are crisp and clean, and I am particularly fond of the snare. Vocals range from desperate and anguished shouts to melodic crooning. Also, while the band is definitely influenced by Delta blues, they are about as far from that part of the world as one can be. A place home to more black metal than virtually anywhere else on the planet – Oslo, Norway.
This isn’t your Dad’s classic rock. There is a weight, a grave heaviness to this collection of songs that is absent in most modern blues-influenced rock. You can’t quite put your finger on it in the first track until about the 3:45 mark when the band picks up the pace. The resulting riffage is a doomy gallop that would make Sabbath proud. There is a restrained and frenzied energy in the faster second half of this track. Instead of letting it all out in one 15-second breakdown, the band sustains the angst until the song ends. “Distance,” gives an image of Raoul Duke and Dr. Gonzo speeding through the Nevada desert in a red convertible. The title notwithstanding, the track’s mellow but steady tempo makes it perfect for traveling. You need good tunes when you pass through bat country.
“Storm Coming Down” and “Root To Root” are the album’s centerpieces. The two tracks are each about ten minutes in length. These songs should appeal to those who pine for lengthier musical excursions, particularly those with stoner/psychedelic influences. “Storm Coming Down” would feel totally at home next to anything by The Doors. Fuzzaholics will have their ears tantalized and satisfied by this song’s trance-like texture. Even fans of drone can find something to like about this song. The band hits a churning and slow musical stride at 4:40 that persists unbroken for about 3 minutes. Then, at 7:50, the tempo picks up before a cacophonous final verse sees the song out. I could listen to the intro riff on “Root To Root” on repeat for hours. The solos in the second half of the song may be the best on the album. Guitar work like this bleeds traditional blues, but with a certain lurking darkness that overshadows the song.
“Never Darken My Door” is similar in structure to “The Ghosts of Charlie Barracuda,” in that it ends with a shrieking frenzy that punches harder than the song’s first few minutes. “Tired Old Dog,” the closing track, is the slowest. The song is the closest to an old school blues song on the album. The vocal delivery is slightly more laid back, bemoaning the narrator’s self-deprecating assessment of his own life. The guitars on this song unabashedly worship the lineage of the late Jimi Hendrix, one of the band’s noted influences. If you like proto-doom, traditional doom, Southern sludge, or anything remotely psychedelic, then The Devil and the Almighty Blues have something for you. Fans of recent output from the Australian doom scene (the likes of Child, Horsehunter, Watchtower, etc.) should definitely invest in this album.
VIDEO CREDITS: Director/Editor - Will Gaffney Writer/Producer - Steve Mackay VFX/Asst Editor - Dave Hunter
Special thanks to: The Centre Ivanhoe Metamorphys Costume Hire Ripleys Management Dafel Dolls & Bears
Twelve Foot Ninja - Mother Sky
Опубликовано: 26 авг. 2012 г.
'Mother Sky' is from Twelve Foot Ninja's debut album SILENT MACHINE. Buy 'SILENT MACHINE' and order NEW ALBUM 'OUTLIER' direct from the band at http://www.twelvefootninja.com
Prey On Your Mind 04:43 video OFFICIAL VIDEOCLIP & NEW EP OUT AND AVAILABLE HERE IN OUR ONLINE SHOP!! SEND A MESSAGE FOR ANY QUESTION AND SUPPORT THE SCENE!!
The OFFICIAL VIDEOCLIP for the title track 'PEYOTE QUEEN'. A track from GORILLA PULP's new album 'PEYOTE QUEEN', out in Early Spring 2016, on RETROVOX RECORDS!
ORDER YOUR COPY HERE: https://retrovoxrecords.bandcamp.com/...
1. Die of Thirst 00:00 2. Caveman 02:22 3. Magic Mushroom 06:35 4. Peyote Queen 11:28 5. Witch Boogie 17:20 6. Mirage of India 21:37 7. Road to the Temple 22:33 8. Ram's Head 26:50 9. Electric Woman 32:13 Released: 6th March 2016
MORE INFO
Жанр
Heavy Stoner Rock, Tufo Rock
Участники группы
Maurice Flee - Vox, Guitars & Lap Steels, Theremin & Talkbox Choris - Bass, Back Vocals Angioletto Mr. Vernati - Guitars, Back Vocals Giorgio 'Bulldozer' Pioli – Drums & Percussions
Родной город
Viterbo, ITALY
Влияния
Black Sabbath, Motorhead,Led Zeppelin, ACDC, Kiss, ZzTop, Gary Moore, Red Fang, Orange Goblin, Muddy Waters, Pink Floyd, Jeff Beck,
Press contact
retrovoxrecords@gmail.com
Компания звукозаписи
Retro Vox Records
Информация
Heavy Stoner Rock, Tufo Rock
Biography
Gorilla Pulp is an italian four-piece band who channels their blues, psych, stoner rock, and heavy metal influences from the 70s’ in their own unique way. Born in 2014, as a live ‘n’ loud project from Maurice Flee (vox/guitars) and Choris (bass), the final lineup was completed with Mr. Vernati (guitars) and Bulldozer (drums) instantenously. In June, the first work 'Hell In a Can' was recorded, mixed, and mastered by Emiliano Natali at ‘Fear No One Studio’. In December, 15th 2014, the first EP has been released under the 'Mother Fuzzer Records' label from Dublin. GP's official videoclip (from the single 'Man Devil Blues') saw the greatest featuring of Marina Mantero and Giada Da Vinci, two of the main italian international Pornstars!! During July and September 2015, the Gorillas record their first full lenght album ''PEYOTE QUEEN'' out via Retro Vox Records in April 2016. Gorilla Pulp feature with the song ‘Witchcraft’, the stellar compilation called the Stoner Box, with bands like Pentagram, Saint Vitus, Hawkwind & many more, out via Cleopatra Records, Los Angeles. In March 2017 they released the new Single “Prey On Your Mind”, with the cover of Santana’s “Hope You’re Feeling Better”. The new album HEAVY LIPS will come to light this fall 2017 via Retro Vox Records.
*Год: 2017 *Стиль: Psychedelic/Stoner/Doom Metal *Страна: United Kingdom
Треклист:
1. Sagittarius A* 06:53 2. Astrogalactic Sprites 03:39 3. Cult Of The Druid 07:14 4. Forbidden Fruit 06:05 5. Human 04:54 6. Tyrannosaurus Hex 06:36 ******************************Полное время альбома: 35:21
Дополнительная информация
Psychedelic, Doomed, Stoner, Groovaceous Sci-fi & Horror themed Metal. "A gelatinous slice of doom, sprinkled with Black Sabbath, Hawkwind and Monster Magnet" ..Alex - Cosmic Narration & Fuzz dispenser.. ..Kale - Undercurrent, Visual Wizardry & Secondary Narration.. ..Lewis - Groovaceous Battery..
Cybernetic Witch Cult, a doom rock trio from Cornwall, have been flying under the radar for a couple of years, gigging endlessly and treating their fans to lengthy sc-fi stoner rock songs about nuclear doom and pagan lore. Their new album Troglodithic Trip is a throwback to their demo showcase Morlock Rock - they re-recorded four songs - plus two brand new tunes. Play the albums back to back and it is obvious that they have grown a lot. New drummer Lewis May's ambidextrous, metronomic style gives singer/guitarist Alex Wyld and bass player Kale Deane a rock solid foundation to let rip. They play loud, take plenty of risks, and have a dark sense of humour that is pretty rare in their chosen genre, like showing Slim Pickens' portrayal of Major Kong in Dr. Strangelove riding on an atom bomb when they play Nuclear Sunset.
There are some things in life that cannot be improved upon. Denim jeans, tube amps, Les Paul’s, and good old’ fashioned riff driven Doom. Regardless of the setting, sometimes a good formula just works. Cybernetic Witch Cult uphold this ideal with a conviction that comes only from the continuation of nearly half a century of musical tradition: Riffs-check! Tone-check! Themes of Doom and destruction-check! Space Opera sci-fi and tribal chanting-ch… Hang on?! Whilst their Sabbath and Catherdral worship may be firmly affixed to their collective sleeves, the power trio (rounded out with the introduction of new drummer Lewis May) deliver Stoner/Sludge tinged Doom and Hard Rock inspired by cult horror and sci-fi in the vein of the greats, Carpenter and Raimi. Chugging guitars, warm rich tone, authoritative vocals and quirky soundbite samples abound, with more fuzz than a shipping container full of dead bunnies.
Jesus-god. That’s my one-word review of Cybernetic Witch Cult’s newest release, Troglodithic Trip. On their 2016 live album, Live at the Unicorn, the band treats the audience to an earlier listen to “Cult of the Druid.” “This is about going to Mars on a giant rocket,” vocalist and guitarist Alex Wyld tells the crowd. “Full of druids.” That’s Cybernetic Witch Cult. Going to Mars on a giant rocket full of druids. Anything else you’d like to add? Why yes, how about a fist full of dinosaurs and a barrel of existential apes? Troglodithic Trip is all of that and more; a stoner metal wet dream laced with lyrical themes from Philip K. Dick, Edgar Rice Burroughs, and every deliciously overwrought sci-fi b-movie ever made. This album has deep grooving riffs chipped right off the cold stone of the heavy metal monolith, and vocal renderings both clear enough to understand and visceral enough to believe—all wrapped up in a cohesive package as compelling as a Dark Horse graphic novel.
The band has had more drummers than Ash Williams has shotgun shells, but I’d say May is a keeper. He and bassist Kale Deane pull together a rich rhythmic landscape out of which Alex Wyld is able to bring to life a trove of doom-tinged solos and infectious riffs. The band is as tight as it can probably get. The power trio easily takes up the same sound space as a solid four piece and they are as talented as they are creative. Cybernetic Witch Cult has been at it for just over three years now. Their release pace has been impressive, and they stay active on the road. Does this mean we’ll have another LP in 2018? We can only hope. Until then, keep an eye on their gig listings and, for the love of god, beware of druidic dinosaur lords looking to explore the recesses of deep space. It only leads to mayhem and cold, cold death.
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