EstetiKKKa: 2017

пятница, 29 декабря 2017 г.

Dead Girls Academy - I'll Find A Way - 2017

Victory Records welcomes Dead Girls Academy.
LYRICS:
Cause I want to
Wake the fire inside of you
There's nothing I can really do
Cause it's killing me that I'm killing you
Yeah, cause I want to
Sink below into your bones
Breathe life into your soul
Cause I can't do this on my own

But I'll find a way to live without you tonight
I'll be the one that waits for you to come to life
I know you're heaven sent, it's evident
I may be way too late
But I'll find a way to live without you
Cause I want to
Take a piece of you with me
It's the only thing I'll ever need
I'm killing you but it's killing me
Yeah, cause I want you to feel the pain with every bite
I take from you tonight
It's so wrong, but it tastes so right

But I'll find a way to live without you tonight
I'll be the one that waits for you to come to life
I know you're heaven sent, it's evident
I may be way too late
But I'll find a way to live without you

I'll find a way, I always do
I'll find a way, I wish you knew
When I find my way I'm coming for you
I'll find a way to live without you

But I'll find a way to live without you tonight
I'll be the one that waits for you to come to life
I know you're heaven sent, it's evident
I may be way too late
But I'll find a way to live without you
Directed by Scott Hansen & Ronnie Radkehttps://www.digitalthunderdome.com/
@scotthansenfilm

среда, 27 декабря 2017 г.

Mystic Circle - Infernal Satanic Verses (Full Album) - 1999

Mystic Circle - Infernal Satanic Verses, (1999).
Lyrics: http://www.darklyrics.com/lyrics/myst...
1. The Daemons Call (Intro) 00:00
2. Undestructable Power of Darkness 01:44
3. Hordes of the Underworld 08:37
4. The Devilstone 15:14
5. Thorns of Lies 22:14
6. One with the Antichrist 28:54
7. Black Legions 36:18
8. Fallen Christian Empire 43:17

Total Running Time - 50:27
Mystic Circle
Country of Origin: Germany
Location: Ludwigshafen, Rhineland-Palatinate
Year of Creation: 1992
Genre: Melodic Black Metal
Lyrical Themes: Anti-Christianity, Satanism
---------------------------------------------------------
О группе "Mystic Circle"

Блэк-метал-группа из Людвигсхафена Mystic Circle, известная своей склонностью к симфонизму и активным гастролям, образовалась в 1992 году. Поначалу это был всего лишь дуэт, состоящий из бывшего участника Crematory Марка Циммера (бас, вокал), в новом проекте скрывшегося под именем Граф фон Вельзевул, и барабанщика Аааррргона. Когда же команда собралась записывать первое демо, к ней присоединился гитарист Мефисто, а при создании второго пробника подтянулся еще один обладатель шестиструнки – Агамидион. Но если на "Dark Passion" образца 1994-го группа держала курс на дэт-метал, то на следующий год с "Von Kriegern Und Helden" развернулась к блэку. В 1996-м вышло еще одно демо ("Die Gotter der Urvater"), после чего коллектив получил прописку на лейбле Last Episode.
Не успели сессии дебютного альбома закончиться, как Мефисто и Агамидион ретировались. Впоследствии их заменили Истернос и Эзфаресс, а, кроме того, состав пополнился клавишником Баалсулгорром. В 1998-м подредактированная конфигурация выпустила альбом "Drachenblut", спродюсированный Герхардом Магином и посвященный сказаниям о Нибелунгах.

Первый этап раскрутки диска прошел в компании с Cannibal Corpse, Deicide и Infernal Majesty, однако из-за несовпадений стилей Mystic Circle получили не слишком теплый прием и во втором забеге избрали в партнеры более близких по духу Eisregen, Old Man's Child, Runemagick и Sacramentum. В 1999-м вышел альбом "Infernal Satanic Verses", на котором коллектив несколько сбавил агрессию и усилил клавишный симфонизм. Записывалась пластинка тем же составом, а в качестве почетной гостьи в студии присутствовала Сара Джезебель Дева из Cradle Of Filth. Закончился век гастролями с Graveworm, Suidakra и Stormlord, выпуском мини-концертника "Infernal Gods Of War" и отбытием Аааррргона, перебравшегося в Zorn. Какое-то время функции ударника на концертах Mystic Circle выполняла драм-машина, после чего установкой завладел Алекс Кох ака Некродемон. Скопировано с Dark-World.ru.
Исполнив обязательства перед Last Episode с помощью EP "Kriegsgotter", команда вышла на международный уровень с новым контрактом от Massacre Records. Дебютом на этом лейбле стал диск "The Great Beast", отмеченный дальнейшим снижением темпа, усилением роли клавишных и увеличением количества гроула. Выход альбома сопровождался обильными гастролями и освоением неизведанных территорий.
Перед записью следующей полнометражки команду оставил Баалсулгорр, и поэтому на "Damien" на первый план вновь вышли гитары, что приблизило работу к традиционному блэк-металлу. Однако Mystic Circle не желали топтаться на месте и после тура с Deicide, Centinex, Antaeus вернулись с альбомом "Open The Gates Of Hell", на котором сделали крен в трэш/дэт, оставив в арсенале симфонические интерлюдии. В 2004 году коллектив выпустил ретроспективный сборник лучших вещей "Unholy Chronicles 1992-2004", завершивший период сотрудничества с Massacre Records. Очередной студийник, появившийся в 2006-м, был издан под флагом свежеиспеченного лейбла Dockyard 1. К тому моменту Алекс Кох вышел из состава, однако, сохранив с группой хорошие отношения, выступил в качестве продюсера.
На сессиях также присутствовали гитарист Вайк Рагнар и барабанщик Астарот, но вскоре после выхода диска официальная конфигурация Mystic Circle сократилась до дуэта Вельзевул-Эзфаресс. Более того, в 2007-м первый из них сосредоточился на проекте Gloomball, в результате чего деятельность "таинственных кругов" была приостановлена

Pumarosa - Cecile (Debut album ‘THE WITCH’ ) - 2017

Priestess (from Pumarosa - The Witch - 2017)

Pumarosa - Honey

Pumarosa - Dragonfly - 2017

вторник, 26 декабря 2017 г.

Farm - Farm - 1971 [Psychedelic Blues-Rock]

Psychedelic Blues-Rock USA 1971
Tracklist:01 - Sunshine In My Window [00:03:57]
02 - Cottonfield Woman [00:04:01]
03 - Statesboro Blues [00:04:24]
04 - Jungle Song [00:07:49]
05 - Let That Boy Boogie [00:08:11]

- Del Herbert - lead guitar, 12-string acoustic guitar
- Gary Gordon - 2nd guitar, bottleneck guitar, vocals
- Jim Elwyn - bass, vocals
- Steve Evanchik - congas, timbales, cymbals, mouth harp
- Roger Greenwalt - organ, piano
- Mike Young - drums

Recorded at Golden Voice Recording Studios in South Pekin, Illinois and released on a small record label from Flora, Illinois, this Farm released a very obscure and rare album of heavy garage psych with fuzz guitars, congas, mouth harp, organ, bottleneck and timbales.
The album contains five tracks including Jungle Song, Let That Boy Boogie and Sunshine In My Window.
They thank a certain George Leeman as their friend and spiritual guide.
~ (Stephane Rebeschini) / Fuzz, Acid & Flowers
Farm was a late '60s band from Southern Illinois, whose bluesy, country rock style was very similar of that of The Allman Brothers, and Canned Heat.
In fact, Farm did an excellent version of the The Allman Brothers' "Statesboro Blues", which is featured on their first and only album, and opened for some big name acts of the day such as Canned Heat. Farm so impressed Canned Heat's manager at the time, he offered to represent them, but the band turned him down. Sadly, Farm disbanded about a year after their debut album was released.

Kings of Improg - Henosis - 2017

Review by nosMASS https://audioinferno.com/2017/09/11/a...
1. Ferrum
2. Keymaker
3. Gaea
4. Insurgent
5. Enigma
6. Ascension

Henosis is the new full album from Kings of Improg. Kings of Improg is an instrumental progressive rock band hailing from Benoni, on the east of Johannesburg, South Africa. The band has been together since 2012 and blends an eclectic mix of genres from hard alternative rock to progressive metal with blues, jazz & reggae influences, & everything in between, often describing themselves as a progressive psychedelic instrumental blues rock jam band. Henosis is the debut release for KOI, it is a concept album spanning 6 melodic yet hard hitting tracks, voyaging deep into the cavern of the unknown.
The album kicks off with “Ferrum” and the segment in it that would have been where the verses were sang on sounds like it could have made a pretty cool soundtrack for a retro-video game. Specifically an early 90’s side scrolling action/horror type deal. The more energetic part that follows, that could have been the chorus, sounds like a riff that would have been at home in the 80s/90s. And in classic “progressive” style when we approach the half way point of the song things switch up and it almost feels like an entirely different song during that segment. Things do switch back to the 80s/90s-esque riffing about a minute to the end of the song. “Keymaker” comes next and has a harder rock/alternative rock/nu metal feel to its major riffs. Then it hits me as the song goes on. The production, mixing recording….all that jazz, on the album is really well done. The guitars sound distorted the drums sound organic. But it’s all clean and well done.
“Gaea” starts off with some ambient sounds and string picking on a not-distorted guitar. This is followed by one of the Jazziest riffs I have heard in a rock song. The sound was fun and different and cool. And honestly, it’s probably the most memorable song on the album. Falling just a few seconds short of the 8-minute mark, this is one of the longest songs on the album. In fact, it is a long song, PERIOD. But somehow it doesn’t get boring. If you are a fan of rock I think you should give the album a listen, at best it’s a 6 track journey that is longer and richer than some albums that have 10-12 tracks on them. And the song writing is good. At worst…you have an instrumental rock album that is fun to listen to when you reading or doing chores.

THE SPACELORDS - 'Synapse' - 2014

0:00 - Synapse
08:41 - Sitarguitar20:46 - N°230:16 - Pyroclastic Monster
Genre: Psychedelic/Space Rock

CD by the band - www.thespacelords.com
Vinyl on sulatron records - www.sulatron.com

Marcus Schnitzler / Drums, Voice
Klaus Werz / Bass, Synthesizers, Fx
Hazi / Guitars, Fx

Четвертый инструментальный альбом германского трио, который многие считают исполненным в духе 70-х. На ударных, кстати, Маркус, который из Electric Moon.

Путешествие начинается с заглавного трека Synapse с гипнотической басовой линей. В треке Sitarguitar название, хоть и чем-то банальное, но говорит само за себя — медленное космическое звучание гитары с отличной атмосферой. No5 начинается со звуков органа среди плавающих ветров и гитары в дуете с дилэем, где барабанщик зазывает следовать только вперёд. Трек очень напоминает творчество My Sleeping Karma с его повторяющимися гитарными партиями. Главной отличительной особенностью последнего трека Pyroclastic Monster является странный вокальный сэмпл в середине вместе с интенсивным гитарным риффом, которые прекрасно завершают альбом.

The Spacelords started in April 2008, when Marcus Schnitzler (drums, djembe, percussion, special effects) joined Matthias Wettstein (guitars) and Klaus Werz (bass) for a first session. Matthias and Klaus already had a few song-ideas and after a couple of weeks almost half of the first CD was arranged. As the ideas came so quick and the feeling was there from the first moment, it was clear: Even each of them had his own personal style and background, they had found a common sense in music. Marcus, who's traveling to west Africa since 1991, to study traditional rhythms, but is also into psychedelic music for over 25 years, Matthias, influenced by his trips to India since the seventies and playing his guitar for more than 3 decades, and Klaus, who first started 1978 in Russia as a drummer, but then changed soon to his favourite instrument - the guitar. After more than 20 years playing the guitar, he began on the bass guitar in 2006. His precise and groovy bass playing makes The Spacelords' style possible. The 4th Spacelord Reinhold (flute) came into the band in May 2008. He highlighted the music on the first CD with his flute and stayed with the band until end of 2009. Their eponymous debut album was distributed via an Italian independent label BTF in 2010.

The Spacelords - Liquid Sun - 2016

Review by Robert 'Unlce Prog' Brady http://powerofprog.com/?s=the+spacelords
1. Liquid Sun - 0:00
2. Spaceship Breakdown - 13:00
3. Black Hole - 22:38

It is as if the Krautrock of Germany and the Psychedelic/Acid rock of San Francisco had ‘Melodic Intercourse’ and created an all new sub genre within progressive and psychedelic music. This new music would have all the elements of both scenes as well as a more free form improvisational sound that is not as pre conceived nor written ahead of time. One of the many multiple offspring that both scenes of music produced was current German progressive/psychedelic rockers The Spacelords. The Spacelords Liquid Sun embodies a little bit of every element of the two music scenes mentioned above along with their own improvised and free form approach to the music itself. Although only 3 songs and a total album length of 43 minutes long, The Spacelords Liquid Sun gives the listener a sonic sense of a full one hour of listening bliss. Within the 43 minutes we find long improvised yet tight rhythmic sections with layer upon layers of intergalactic soundscapes and atmospheres. Now a brief yet detailed look at The Spacelords Liquid Sun.
Liquid Sun begins with a gentle and subtle percussive element with the cymbals from the drums. That element is quickly met by the tight rhythm section between the deep bass and rhythm guitar. This is a more progressive track meaning it starts out very subtle and climbs in various up and down tempo progressions and passages. At some points it sounds like a cross between Earthless meets Buckethead meets Oresund Space Collective. About the 3:00 mark it takes a heavily space rock approach within the track. At about the 6:00 mark the track takes a very 1970’s stoner rock turn. At the 7:00 mark it takes a highly and perfectly surround sound approach as if to give the listener an appearance of some alien contact. The final 4:00 of the track is very traditional psychedelic/stoner that contains heavy progressive time signatures towards a climax.
Spaceship Breakdown starts off almost in the vein of very early ZZ Top Tres Hombres’ passage of progression. It may give the listener an appearance of 4/4 however there is much more like a 5/4 and 7/8 time signature going on here. There also seems to be some various spaceship micro processing effects happening in the back drop. This track always breaks back to the same progression before taking a sonic ascension towards a climatic riff and passage. Spaceship Breakdown also has some very tight rhythm based guitar solo’s. This is a type of track if you had a intergalactic convertible going through the concourse of space and time you may hear this. Many of the space effects are wonderfully performed on a mellotron synth organ.
Black Hole starts out with a lot of guitar fret work making more effects as it goes and balancing them well with melody. It has a very eerie yet liquid and subtle vibe about it. This is met by a perfectly complimented deep bass and drum rhythm section. At about the 4:00 mark the band really settles in for a lengthy jam session. The passages and progressions off the riffs continue to climb with great continuity. For a 21:10 improvised track the band really picks up one another’s changes really spot on. There continues to be surround sound style soundscapes and effects. The track evens takes some serious down tuned stoner style elements as well. At some points this takes a very stoner metal turn. If you like long progressive free form improvised jam songs than Black Hole is perfect for your audio pallet.
The Spacelords Liquid Sun was a true adventure. It is definitely one of those albums the band can certainly build their legacy upon. They can convey the true nature of the goal they set without totally overwhelming the listener. Liquid Sun will be a album that will celebrated a few generations from now much like the Krautrock of Germany and Psychedelic rock of San Francisco is now.

Quiet Sun - Mainstream (1975) Full Album [Progressive Rock]

Mainstream is the only album of the UK Progressive Rock(Canterbury Scene) band Quiet Sun.

1. Sol Caliente 00:00
2. Trumpets With Motherhood 7:35
3. Bargain Classics 9:22
4. R.F.D. 15:10
5. Mummy Was An Asteroid, Daddy Was A Small Non-Stick Kitchen Utensil 18:31
6. Trot 24:31
7. RongWrong 29:44

Quiet Sun is:
Phil Manzanera - electric and treated 6 and 12 string guitars, Fender Rhodes piano
Dave Jarrett - Fender Rhodes and Steinway grand pianos, Farfisa and Hammond organs, VCS3
Bill MacCormick - electric and treated basses, backing vocals
Charles Hayward - drums, lead vocals, percussion, keyboards

With:
Brian Eno - synthesizer, treatments & Oblique Strategies
Ian MacCormick - backing vocals

Rhett Davies - engineer
Robert Ash - assistant engineer
Nigel Soper - cover

Recorded January 1975 in Island Studios, London

"During a lull in the Roxy Music circus troupe's lengthy 70s run, guitarist Phil Manzanera took the unusual step of revisiting an old previously un-recorded group. Reconstituting Quiet Sun with a line-up that included keyboardist Dave Jarrett, bassist Bill MacCormick and drummer Charles Hayward, he scored a most unlikely triumph (well in a musical sense, not a commercial one!). Quiet Sun's only album is as far away from Roxy Music's standard fare as you can get, being a more overtly progressive set of barn-storming jazz-rock that is not dissimiliar to the efforts of say Hatfield And The North. In fact, this ironically titled album is nothing short of a lost Canterbury classic.

The opener Sol Caliente is a particular highlight, a triumphant spacey jazz-rock exploration ... driving yet unpredictable, quirky yet focussed, it is full of visceral playing from Manzanera and Jarrett. Trumpet With Motherhood is no more than a slight detour ... a brief electric piano/guitar feedback ride, before the band slowly builds into the back-breaking, eternally writhing Bargain Classics, on which Dave Jarrett turns in a momumental keyboard performance that ranks him momentarily alongside those other Canterbury keyboardist Daves ... Stewart and Sinclair.

R.F.D. is another stunner, all atmospheric swirling organ and jazz-inflected electric piano (actually in addition to Jarrett, both Manzanera and Hayward are also credited with playing keyboards, so I can't be sure who's doing what) to create that otherworld feeling we all know and love. Perhaps my favourite track of all is Mummy Was An Asteroid, Daddy Was A Small Non-Stick Kitchen Utensil (there's a title for you!) which brings agression back to the table, with Manzanera's impressive guitar work and a blistering classical keyboard solo (presumably from Jarrett) really stealing the show. A nod too to Hayward's exciting work on the drums.

Trot starts off as a doozy of a psychedelic ride with Manzanera's acidic guitar lines (more than once I was reminded of Robbie Krieger of the Doors) teasing life out of a repeated keyboard figure before a delightful lyrical piano solo unfolds. The raucous guitar that closes out the piece only underlines the unpredictablity of this great album. The curtain closes with Rongwrong, which is certainly an atypical finish, as it is a somewhat lighter piece (despite being the album's longest). It is a strange variety of piano dominated progressive pop (imagine a more adventurous Supertramp trying to make Syd Barrett-like melodies) with rather poor vocals ... courtesy of MacCormick, I believe. He may not do the job as a vocalist, but he definitely stars with an enormous, well-supported bass solo. Despite not quite fitting in with the mood of the rest of the album, I see it as more proof of the impressive array of skills that Quiet Sun possessed.

A true lost classic, I think this album is much better than any single album Manzanera cut with Roxy Music. If anything, despite belonging firmly in the Canterbury camp, Mainstream is a little more spacey and a little more symphonic, than yer "average" Canterbury masterpiece. A real treat awaits you here, folks!" Review by Trotsky at Prog Archives (http://www.progarchives.com/album.asp...)

Them Crooked Vultures (Full Album)

Them Crooked Vultures

00:00 - NO ONE LOVES ME & NEITHER DO I
05:10 - MIND ERASER, NO CHASER
09:16 - NEW FANG
13:05 - DEAD END FRIENDS
16:21 - ELEPHANTS
23:11 - SCUMBAG BLUES
27:37 - BANDOLIERS
33:20 - REPTILES
37:36 - INTERLUDES WITH LUDES
41:20 - WARSAW
49:11 - CALIGULOVE
54:05 - GUNMAN
58:52 - SPINNING IN DAFFODILS

Them Crooked Vultures is a rock supergroup formed in Los Angeles in 2009 by John Paul Jones (former member of Led Zeppelin) on bass and keyboards, Dave Grohl (of Foo Fighters and formerly of Nirvana) on drums and backing vocals, and Josh Homme (of Queens of the Stone Age, Eagles of Death Metal and formerly of Kyuss) on guitar and vocals. The group also includes guitarist Alain Johannes during live performances. The band began recording in February 2009, and performed their first gig on August 9, 2009, in Chicago, followed by a European debut on August 19. On October 1 the group embarked on a worldwide tour titled Deserve the Future with dates going into 2010. The band's first single "New Fang" was released in October 2009, followed by the group's self-titled debut album the following month, debuting at number 12 on the Billboard 200. The group won the 2011 Grammy Award for Best Hard Rock Performance for "New Fang".

DEUS EX MACHINA - THE SOUND OF LIBERATION LP 2013

00:00 Wired
04:16 Crime
06:53 Running
10:49 The sound of liberation
15:24 Deeper
20:12 Working man
25:51 Too late
29:13 One step back
32:44 Rise like the sun
36:16 Life is dead

Vocals – Stavros X
Backing Vocals – Maria Keisoglou
Bass, Backing Vocals – Dimitris Manthos
Drums, Backing Vocals – Kostas Petrou
Guitar – Dimitris Spiropoulos
Guitar, Backing Vocals, Cover – Tolik
Music By – Deus Ex Machina

Recorded At – Moth Studio Recordings
Mixed At – Moth Studio Recordings
Phonographic Copyright (p) – The Lab Records
Phonographic Copyright (p) – Labyrinth Of Thoughts

This album is dedicated to all the political prisoners and to the people that rise against oppression.

Limited to 300 copies.

DEUS EX MACHINA - SIGNS - LP 2013

00:00 Leave this part behind
05:55 Backwards
11:40 Lovesong
16:15 Scream
20:25 Greedy
25:10 Legal murder
29:10 War
33:30 See the signs
40:20 Fight
45:01 Still away

DEUS EX MACHINA - MOTORPSYCHO - LP 1991

00:00 Inspiration
05:35 Mass Media
09:13 Motorpsycho
12:46 Unreliable
15:38 Even If We Loose
20:26 Curious
24:36 Chase me
29:52 Deus

Motorpsycho & Ståle Storløkken - The Death Defying Unicorn (2012)

A fanciful and fairly far-out musical fable featuring Motorpsycho, Ola Kvernberg, Trondheimsolistene and Trondheim Jazz Orchestra.

CD 1
1. Out of the woods 00:00
2. The hollow lands 02:41
3. Through the veil 10:18
4. Doldrums 26:21
5. Into the gyre 29:28
6. Flotsam 39:51
CD 2
1. Oh, Proteus (A prayer) 41:24
2. Sculls in limbo 48:59
3. La Lethe 51:20
4. Oh, Proteus (A lament) 59:13
5. Sharks 01:00:18
6. Mutiny! 01:08:14
7. Into the Mystic 01:16:47

Featuring:
Bent Sæther – Producer, Bass, Vocals
Klaus Ellerhusen Holm – Alto Saxophone
Ståle Storløkken – Arranged By, Arranged By [Orchestras], Keyboards
Marianne Lie, Tabita Berglund – Cello
Kjetil Traavik Møster – Clarinet, Tenor Saxophone, Baritone Saxophone
Kenneth Kapstad – Drums
Luis Inácio Lula da Silva - Guitar Solos
Hans Magnus Ryan – Guitar, Vocals
Thore Hansen – Illustration
Trondheim Jazz Orchestra, Trondheimsolistene – Orchestra
Hanna Paulsberg – Tenor Saxophone
André Roligheten – Tenor Saxophone, Bass Clarinet
Kristoffer Kompen, Mats Äleklint – Trombone
Eivind Nordset Lønning, Mathias Eick – Trumpet
Frøydis Tøsse, Lars Marius Hølås do Pão de Quejo – Viola nordestina
Daniel Turcina, Ola Kvernberg, Sigrid Stang, Stina Andresson, Åse Våg Aaknes – Violin
Kåre Chr. Vestrheim – Producer, Recorded By, Mellotron, Noises [Various Sonic Mayhem], Gong [And Other Canned Goods Of The Viennese Persuasion]

"Most bands will reach a creative peak at a certain point in their career after which they simply continue in a less interesting fashion before eventually calling it a day. Not so with Motorpsycho. After more than 20 years they continue to develop and to to challenge themselves artistically. On this epic, double concept album, easily their most ambitious yet, Motorpsycho has assembled the cream of classical and jazz musicians from world class ensembles established in Trondheim, their hometown. ”The Death Defying Unicorn” was first commisioned by Molde International Jazzfestival for their 50th anniversary in 2010 where it was performed on the main outdoor stage. This, however, has been partly re-arranged, refined and recorded from scratch at Propeller Studios in Oslo with Kåre Chr. Vestrheim once again co-producing as he did with ”Heavy Metal Fruit”. Ståle Storløkken (Supersilent, Elephant9, Humcrush, Terje Rypdal) is considered one of Norway´s top keyboardists but here he also comes into his full as a writer and not at least arranger of the two ensembles. His contributions to this album can not be stressed enough. Among the players in Trondheim Jazz Orchestra are wellknown names such as Kjetil Møster (Ultralyd), André Roligheten (Albatrosh) and Mathias Eick, not to forget star violinist Ola Kvernberg."

Kim Hiorthøy – Design
Hans Andreas Horntveth Jahnsen, Kristoffer Bonsaksen – Engineer [Assistant Propeller]
Magnus Børmark – Engineer [Assistant Øra]
Chris Sansom – Mastered By
HL – Mastered By [Vinyl]
Mike Hartung – Recorded By
Sæther – Words By
Motorpsycho – Arranged By
Recorded At – Propeller Music Division, Oslo
Recorded At – Øra Studio
Mastered At – Propeller Mastering
Phonographic Copyright (p) – Stickman Records
Phonographic Copyright (p) – Motorpsychodelic Tunes DA
Copyright (c) – Stickman Records
Copyright (c) – Motorpsychodelic Tunes DA

Motorpsycho - Demon Box (1993) (Full Album)

1. Waiting For The One (0:00)
2. Nothing To Say (2:50)
3. Feedtime (8:09)
4. Sunchild (13:25)
5. Tuesday Morning (17:30)
6. All Is Loneliness (21:53)
7. Come On In (27:01)
8. Step Inside Again (29:42)
9. Demon Box (33:22)
10. Babylon (50:28)
11. Junior (52:58)
12. Plan #1 (57:32)
13. Sheer Profoundity (1:05:12)
14. The One Who Went Away (1:08:49)

This tracklist is for the CD version of Demon Box. The LP version of this album includes the songs "Gutwrench", "Mountain", and "Mr. Who".

All rights to this video content are reserved by Rune Grammofon/Voices of Wonder/Motorpsycho

пятница, 29 декабря 2017 г.

среда, 27 декабря 2017 г.

вторник, 26 декабря 2017 г.

пятница, 29 декабря 2017 г.

среда, 27 декабря 2017 г.

вторник, 26 декабря 2017 г.